venezuela and the media

 
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luke



Joined: 11 Feb 2007
Location: by the sea

PostPosted: Sun May 27, 2007 2:52 pm    Post subject: venezuela and the media Reply with quote

after george talked about venezuela last night i though some might be interested in these two articles

Quote:
Documents Reveal U.S. Effort to Influence Venezuelan Journalists

Caracas, May 26, 2007 Several major Venezuelan journalists have received all-expenses paid trips to the U.S. for courses in an apparent effort of the U.S. State Department to influence the media in Venezuela, according to recently released documents. The Venezuelan-American attorney Eva Golinger, who released the information yesterday in a press conference in Caracas, also revealed evidence of a destabilization plan against the Chavez government to take place this weekend.

Golinger is the author of The Chavez Code, which documents U.S. funding of opposition groups and U.S. involvement in the 2002 coup attempt.

Under a program named International Business Leadership Program, many Venezuelan journalists, mostly from the opposition media, but also some from the Venezuelan government, have received "scholarships" from the U.S. government to attend training courses during the years 2001-2005.

Some of the most recognized opposition journalists of the country have participated according to the documents, including Miguel Angel Rodriguez of RCTV, who received more than six thousand dollars for his participation in 2003, and Maria Fernanda Flores of Globovision among others, according to the documents obtained by Eva Golinger through the U.S. Freedom of Information Act.

With the supposed intention of teaching journalists about the media and journalism in the United States, the program also has the purpose of influencing how Venezuelan journalists cover events related to the U.S. foreign policy. According to the documents released, the programs denominated "Journalism IV" seek to "influence the approach and ultimately the coverage given to issues of importance to U.S. foreign policy and to strengthen the Venezuelan democratic process."

The State Department gave special attention to the Venezuelan news channel Globovisión, which they believe to be "the most influential channel" and to have the most positive coverage of the United States. The State Department sought a special relationship with this particular news network, and especially with one important journalist Maria Fernanda Flores.

According to an unclassified State Department memo, “A program that gives Flores a better understanding of and closer ties with U.S. media executive decision-making policies and practices can help Globovision, already the country’s news leader, an even more professional responsible force in Venezuela’s media environment, with profound implications not only for more positive coverage of U.S. policies but for Venezuela’s evolving political situation as well.”

Golinger emphasized, though, that the journalists involved in these programs were chosen by the U.S. embassy and could very well be unaware of the program’s efforts to influence their coverage of U.S. foreign policy.

Golinger also spoke about other State Department programs including one to increase U.S. access to the Venezuelan Armed Forces through various training programs, whose objectives she said are similar to the program for journalists.

The Press Attaché of the U.S. Embassy in Venezuela, Bryan Penn, responded on Globovisión to Golinger’s press conference yesterday by saying that the programs she presented were common with governments around the world and that the U.S. is “proud of them.”

Destabilization Plan

Golinger also presented evidence of a destabilization plan for this Saturday, showing a flyer calling for people to come into the streets and march in the morning hours of Saturday, May 26th. According to the attorney, the campaign is designed by Freedom House, a U.S. organization dedicated to non-violent resistance.

Freedom House, headed by Peter Ackerman, has been involved in other countries and other campaigns to overthrow regimes such as Serbia and the Ukraine. According to Golinger, the flyers circulating in Caracas have the logo of a clenched fist, the same logo used in the campaigns in other countries such as Serbia, Georgia, and the Ukraine.

Golinger also made reference to the fact that leaders from the Serbian campaign, and people from the Center for Applied Nonviolent Action and Strategies (Canvas) have been involved with the Venezuelan opposition and have given trainings about nonviolent resistance inside Venezuela. According to the webpage of Canvas, Venezuela is one of three nations in which the resistance strategies are being used.

Golinger said that she found the presence of these programs to be "worrying" in light of the tense relations between the United States and Venezuela, as well as the aggressive media atmosphere in Venezuela in recent years.



Quote:
Venezuela: Coup Co-Conspirators as Free-Speech Martyrs

Coup Co-Conspirators as Free-Speech Martyrs
Distorting the Venezuelan media story

The story is framed in U.S. news media as a simple matter of censorship: Prominent Venezuelan TV station RCTV is being silenced by the authoritarian government of President Hugo Chávez, who is punishing the station for its political criticism of his government.

According to CNN reporter T.J. Holmes (5/21/07), the issues are easy to understand: RCTV "is going to be shut down, is going to get off the air, because of President Hugo Chávez, not a big fan of it." Dubbing RCTV "a voice of free speech," Holmes explained, "Chavez, in a move that's angered a lot of free-speech groups, is refusing now to renew the license of this television station that has been critical of his government."

Though straighter, a news story by the Associated Press (5/20/07) still maintained the theme that the license denial was based simply on political differences, with reporter Elizabeth Munoz describing RCTV as "a network that has been critical of Chávez."

In a May 14 column, Washington Post deputy editorial page editor Jackson Diehl called the action an attempt to silence opponents and more "proof" that Chávez is a "dictator." Wrote Diehl, "Chávez has made clear that his problem with [RCTV owner Marcel] Granier and RCTV is political."

In keeping with the media script that has bad guy Chávez brutishly silencing good guys in the democratic opposition, all these articles skimmed lightly over RCTV's history, the Venezuelan government's explanation for the license denial and the process that led to it.

RCTV and other commercial TV stations were key players in the April 2002 coup that briefly ousted Chávez's democratically elected government. During the short-lived insurrection, coup leaders took to commercial TV airwaves to thank the networks. "I must thank Venevisión and RCTV," one grateful leader remarked in an appearance captured in the Irish film The Revolution Will Not Be Televised. The film documents the networks' participation in the short-lived coup, in which stations put themselves to service as bulletin boards for the coup?hosting coup leaders, silencing government voices and rallying the opposition to a march on the Presidential Palace that was part of the coup plotters strategy.

On April 11, 2002, the day of the coup, when military and civilian opposition leaders held press conferences calling for Chávez's ouster, RCTV hosted top coup plotter Carlos Ortega, who rallied demonstrators to the march on the presidential palace. On the same day, after the anti-democratic overthrow appeared to have succeeded, another coup leader, Vice-Admiral Victor Ramírez Pérez, told a Venevisión reporter (4/11/02): "We had a deadly weapon: the media. And now that I have the opportunity, let me congratulate you."

That commercial TV outlets including RCTV participated in the coup is not at question; even mainstream outlets have acknowledged as much. As reporter Juan Forero, Jackson Diehl's colleague at the Washington Post, explained (1/18/07), "RCTV, like three other major private television stations, encouraged the protests," resulting in the coup, "and, once Chávez was ousted, cheered his removal." The conservative British newspaper the Financial Times reported (5/21/07), "[Venezuelan] officials argue with some justification that RCTV actively supported the 2002 coup attempt against Mr. Chávez."

As FAIR's magazine Extra! argued last November, "Were a similar event to happen in the U.S., and TV journalists and executives were caught conspiring with coup plotters, it's doubtful they would stay out of jail, let alone be allowed to continue to run television stations, as they have in Venezuela."

When Chávez returned to power the commercial stations refused to cover the news, airing instead entertainment programs?in RCTV's case, the American film Pretty Woman. By refusing to cover such a newsworthy story, the stations abandoned the public interest and violated the public trust that is seen in Venezuela (and in the U.S.) as a requirement for operating on the public airwaves. Regarding RCTV's refusal to cover the return of Chavez to power, Columbia University professor and former NPR editor John Dinges told Marketplace (5/8/07):

What RCTV did simply can't be justified under any stretch of journalistic principles?. When a television channel simply fails to report, simply goes off the air during a period of national crisis, not because they're forced to, but simply because they don't agree with what's happening, you've lost your ability to defend what you do on journalistic principles.


The Venezuelan government is basing its denial of license on RCTV's involvement in the 2002 coup, not on the station's criticisms of or political opposition to the government. Many American pundits and some human rights spokespersons have confused the issue by claiming the action is based merely on political differences, failing to note that Venezuela's media, including its commercial broadcasters, are still among the most vigorously dissident on the planet.

When Patrick McElwee of the U.S.-based group Just Foreign Policy interviewed representatives of Human Rights Watch, Reporters Without Borders and the Committee to Protect Journalists?all groups that have condemned Venezuela's action in denying RCTV's license renewal?he found that none of the spokespersons thought broadcasters were automatically entitled to license renewals, though none of them thought RCTV's actions in support of the coup should have resulted in the station having its license renewal denied. This led McElwee to wonder, based on the rights groups' arguments, "Could it be that governments like Venezuela have the theoretical right to not to renew a broadcast license, but that no responsible government would ever do it?"

McElwee acknowledged the critics' point that some form of due process should have been involved in the decisions, but explained that laws preexisting Chávez's presidency placed licensing decision with the executive branch, with no real provisions for a hearings process: "Unfortunately, this is what the law, first enacted in 1987, long before Chávez entered the political scene, allows. It charges the executive branch with decisions about license renewal, but does not seem to require any administrative hearing. The law should be changed, but at the current moment when broadcast licenses are up for renewal, it is the prevailing law and thus lays out the framework in which decisions are made."

Government actions weighing on journalism and broadcast licensing deserve strong scrutiny. However, on the central question of whether a government is bound to renew the license of a broadcaster when that broadcaster had been involved in a coup against the democratically elected government, the answer should be clear, as McElwee concludes:

The RCTV case is not about censorship of political opinion. It is about the government, through a flawed process, declining to renew a broadcast license to a company that would not get a license in other democracies, including the United States. In fact, it is frankly amazing that this company has been allowed to broadcast for 5 years after the coup, and that the Chávez government waited until its license expired to end its use of the public airwaves.
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